निबध्द / Nibaddha

Η σύνθεση που "δεσμεύεται" από [ή μπορεί κανείς να αναλύσει ή διακρίνει σε αυτήν] Mātrā (χτύπο), Tāla (μέτρο), Layā (τέμπο) και ρυθμό. Τα τραγούδια, όπως τα Tarānā, Dhrupada, Gat είναι Nibaddha. Nibaddha επίσης είναι το μετρημένο μέρος της εκτέλεσης ενός Rāga (το πρώτο είναι η ελεύθερου-ρυθμού εισαγωγή Ālāpa, που θεωρείται Anibaddha).

Relevant multimedia

	Anand Mishra playing morning Raga Gurjarī Tori
	Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first section of the Ālāpa.
	Anand Mishra playing morning Raga Gurjarī Tori
	Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first part of the Nibaddha (rhythmic, accompanied by percussion) section. The composition starts on beat 12, and is characteristic of the Masīdkhanī style of compositions.
	Anand Mishra playing morning Raga Gurjarī Tori
	Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the final part of the Nibaddha (rhythmic, accompanied by percussion) section, which ends with a Jhālā Tihāī. The composition (Gat) is characteristic of the Masīdkhanī style.