ग्रन्थसूची

A Comparative study of some of the leading music systems of the 15th, 16th, 17th, and 18th centuries, Bhatkande, Vishnu Narayan, 3η επανεκτ. 1994, Low Price Publications, Delhi
A glance play on Tabla: from beginners to advanced players, Bhandari, Achyut Ram, 2001 (1st ed. 1999), Achyut Ram Bhandari, Kathmandu (Nepal)
«A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms», Parncutt, Richard, Music Perception, Summer 1994, Vol. 11, No.4, 1994
A Theory of Art, Berger, Karol, 2000, Oxford University Press, New York
Hindustani Music - A Tradition in Transition, Raja, Deepak, India Archive Music
Ada-Chautal on Sitar, Bandyapadhyaya, Shripada, 1990, B.R. Publishing Corporation [Division of D.K. Publishers Distributors (P) Ltd.], New Delhi
«An Ethnomusicological Approach to the Analysis of Musical Cognition», Kippen, James, Music Perception, Winter 1987, Vol. 5, No. 2, 1987
«An Interpretation of the 22 Shrutis», Jhairazbhoy, Nazir Ali, Asian Music, 6 (1975), 1975
Ανθολογία Μουσικολογικών Ανακοινώσεων και Δημοσιευμάτων 1954-2008, Καβακόπουλος, Παντελής, 2008, Παντελής Καβακόπουλος, Αθήνα
Āvāz-e Śur, Massoudieh, M.T., 1968, Regensburg
«Bridge between Worlds: the Greek Women’s Lament as Communicate Event», Caraveli–Chaves, Anna, Journal of American Folklore, 93, 1980
Cassette Culture: Popular Music and Technology in North India, Manuel, Peter, 2001 (1η έκδ. 1993), Oxford University Press, New Delhi
Christian and Oriental Philosophy of Art, Coomaraswamy, Ananda K., 1994, Munshiram Manoharlal Publishers Pvt Ltd, New Delhi
«"Classical music," "Folk Music," and the Brahmanical Temple in Kerela, India», Goesbeck, Rolf, Asian Music, Vol. XXX, Nο. 2, Spring/Summer 1999, 1999
Comparative Musicology and Anthropology of Music: essays on the history of ethnomusicology, 1991, The University of Chicago Press, Chicago
«Computational Techniques In Musical Analysis», Kippen, James, Bulletin of Information on Computing and Anthropology, 4 (1986), 1986
«Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music», Qurexshi, Regula Burckhardt, Ethnomusicology, Vol. 44, No. 1 Winter 2000, 2000
Dancing to the Flute: Music and Dance in Indian Art, Masselos, J., Menzies, J. & Pratapaditya P. (ed.), 1997, The Art Gallery of New South Wales, Sydney
Daramad of Chahargah: a Study in the Performance Practice of Persian Music, Nettl, B. & Foltin, B., 1972, Detroit
Der Dastgāh, Khatschi, Kh., 1962, Regensburg
Δοκίμιο για το ελληνικό τραγούδι {Treatise on the Greek song}, Baud–Bovy, Samuel, 1984, Πελοποννησιακό Λαογραφικό Ίδρυμα, Ναύπλιο
Εγκυκλοπαίδεια της αρχαίας ελληνικής μουσικής, Μιχαηλίδης, Σόλων, 1999, Μορφωτικό Ίδρυμα Εθνικής Τραπέζης, Αθήνα
Ethnomusicology, Kunst, Jaap, Martinus Nijholf, Hague
Etudes sur la chanson cleftique {Studies on the cleftic song (robber’s ballads)}, Baud–Bovy, Samuel, 1958, Athens
Fundamentals of Raga and Tala, with a New System of Notation, Ghosh, N., 1978, Bombay
«Garhwali Bagpipes: Syncretic Processes in North Indian regional music tradition», Alter, Andrew, Asian Music, Fall/Winter 1997/1998, Volume XXIX, No. 1, 1997
Greek Popular Musical Instruments, Anoyanakis, Fivos, 1991, Melissa, Athens
«Historical Representation, Performance Spaces, and Kinship Themes in Indian-Caribbean Popular Song», Ramnarine, Tina K., Asian Music, Vol. XXX, Nο. 1, Fall/Winter 1998/1999, 1998
How to play flute and shahnai, Chaturvedi, B.K., Diamond Pocket Books, New Delhi
«Improvisation» [λήμμα], Jhairazbhoy, Nazir Ali, New Grove Dictionary of Music and Musicians, 1980, Macmillan, London
Improvisation: Its Nature and Practice in Music, Baily, Derek, 1993, Da Capo Press
Indian Aesthetics and Musicology (The Art and Science of Indian Music), compiled articles [ed. Dr. Km. Urmila Sharma], Sharma, Prem Lata, 2000, Amnaya Prakasana, Varanasi
Indian Music: A Vast Ocean of Promise [Foreword by Ravi Shankar], Holroyde, Peggy, 1972, George Allen and Unwin Ltd., London
Indian Music and the West, Farrell, Gerry, 1997, Clarendon Press, Oxford
Indian Music in Performance, Sorrel, Neil, & Narayan, Ram, 1980, University Press, Manchester
Indian Musical Traditions, Deshpande, Vamanrao H., 1973
Intonation in North Indian Music, Levy, M., 1981, Biblia, New Delhi
Introduction to the Study of Musical Scales, Danielou, Alain, 1943, The India society, London
«Involving the Performers in Transcription and Analysis: A collaborative Approach to Dhrupada», Widdess, R., Ethnomusicology, 1994
Khyal: Creativity within North India’s Classical Music Tradition, Wade, Bonnie C., 1η έκδ. 1984 / 1997, Munshiram Manoharlal Publishers Pvt Ltd., New Delhi
La musique iranienne: tradition et évolution, During, J., 1984, Paris
Λαβήρυθμος [4 τόμοι], Μπάρμπας, Δημήτρης, 2007, Δημήτρης Μπάρμπας, Θεσσαλονίκη
Λεξικό όρων της κλασικής μουσικής της βόρειας Ινδίας, Λάιος, Σάκης (Laios, Sakis), Musicking.gr, 2009, Sakis Laios, http://www.musicking.gr/dictionary
«Martinez's Concept of «Intrinsic Semiosis»: Commentary on José Luis Martinez, «Semiotics and the Art Music of India,» MTO Vol. 6, No. 1», Monelle, Raymond, M.T.O., Vol. 6, No. 2, May 2000, 2000, Society for Music Theory
«Mode» [λήμμα], Davis, R., New Grove Dictionary of Music and Musicians, 2000, Macmillan, London
«Mode» [λήμμα] V,3(i), Powers, Harold S. & Widdess, Richard, New Grove Dictionary of Music and Musicians, 2000, Macmillan, London
«Mode» [λήμμα], Powers, Harold S., New Grove: Dictionary of Music and Musicians, Vol 12, 1980, Macmillan, London
Music and Musical Thought in Early India, Rowell, Lewis, 1998, 1η έκδ. 1992, Munshiram Manoharlal Publishers Pvt Ltd., New Delhi
Music, Culture, and Experience: selected papers of John Blacking, Blacking, John, 1995, The University of Chicago Press, Chicago and London
«Music, Identity, and Images of India in the Indo-Caribbean Diaspora», Manuel, Peter, Asian Music, Fall/Winter 1997/1998, Vol. XXIX, No. 1, 1997
Music in India: The Classical Traditions, Wade, Bonnie C., 1η έκδ. 1979 / αναθ. έκδ. 1999, Manohar Publishers Ltd., New Delhi
Music in the dialogue of cultures: traditional music and cultural policy, 1991, F. Noetzel, Wilhelmshaven
My Music, my Life [with an introduction by Yehudi Menuhin and a complete manual on how to play the Sitar], Shankar, Ravi, 1969, ανατύπωση 1995, Vikas Publishing House Pvt. Ltd., Delhis
New Instrumental Compositions for North Indian Music, Mihiripenna, Anil, 2007, Indica Books, Varanasi
Northern Indian Music (Volume One): Theory and Technique, Danielou, Alain, 1949, Christopher Johnson / Visva Bharati, London: / Calcutta
«Ο αρχαιοελληνικός μουσικός νόμος, ο βυζαντινός ήχος και η ινδική ράγκα», Αμαργιανάκης, Γιώργος, Μουσικολογία, έτος 1ο, τεύχος 2ο, Μάιος 1985, 1985, Αθήνα
Perceptual and Cognitive Implications of the Tambura Drone: Figure-Ground Interaction with the Ten North Indian Scale Types, Vaugh, Kathryn V., [Ph.D. Dissertation], 1991, University of California, Los Angeles
Ragas in Hindustani Music: Conceptual Aspects [with a foreword by Pt. Ravi Shankar], Mahajan, Anupam, 2001, Gyan Publishing House, New Delhi
Rhythm and Tempo: A Study in Music History, Sachs, Curt, 1953, J.M. Dent & Sons Ltd., London
Rumanian Folk Melodies: Vol.2 (Vocal Melodies) & Vol.5 (Maramureş County), Bartok, Bela
Semiosis in Hindustani Music, Martinez, José Luiz, 2001, Motilal Banarsidass Publishers Pvt. Ltd., Delhi
Sitar and Sarod in the 18th and 19th centuries, Miner, Allyn, 1997, Motilal Banarsidass Publishers Pvt. Ltd., Delhi
Σκοποί και χοροί της Βορειοδυτικής Μακεδονίας / Tunes and dances of north-west Macedonia area, Καβακόπουλος, Παντελής, 2005, Ινστιτούτο Έρευνας Μουσικής και Ακουστικής (ΙΕΜΑ), Αθήνα
«Socio-Musical Mobility Among South Asian Clarinet Players», Booth, Gregory D., Ethnomusicology, Fall 1997, 1997
Solo tabla Drumming of North India, Gottlieb, Roger, 1998, Motilal Banarsidass Publishers Pvt. Ltd.
«Tabla Drumming and the Human-Computer Interaction», Kippen, James, World of Music, 34/3, 1992, 1992
"Taqsim Nahawand: an Analysis of Sixteen Performances by Jihad Racy", Nettl B. & Riddle, R., YICTM, v, 1974
«The Ancient Tala System: a Comparative Approach», Rowell, Lewis, Journal of the Music Academy of Madras, vii (1986), 1986
«The Barhat Tree», Magriel, N., Asian Music, Vol. 28, No.2, 1997, 1997
«The Bitter Wounding: The Lament as Social Protest in Rural Greece», Caraveli–Chaves, Anna, Gender and Power in Rural Greece, 1986, Princeton University Press, Princeton, Guilford
The Classical Music of North India, Akbar, Ali & Ruckert, George, 2001 (1η έκδ. 1998), Munshiram Manoharlal Publishers Pvt Ltd., New Delhi
The Darbanga Tradition: Dhrupada in the School of Pandit Vidur Mallik, Thielemann, Selina, 1997, Indica Books, Varanasi
The Dastgāh Concept in Persian Music, Farhat, H., 1990, Cambridge
The death rituals of rural Greece, Danforth, Loring M., 1982, Princeton University Press, Princeton & New Jersey
The Dictionary of Hindustani Classical Music, Roychaudhuri, Bimalakanta, 2000 / 1η έκδ. στα Bengali το 1965 / 2η έκδ. στα Hindi το 1975, Motilal Banarsidass, Delhi
«The early days of the gramophone in India: historical, social and musical perspectives», Farrell, Gerry, British Journal of Ethnomusicology, 2 (1993), 1993
«The Feelings of Chinese Daughters towards their Mothers as Revealed in Marriage Laments», Blake, Fred, Folklore, 90(1), 1979
The Flute, Sambamoorthy, P., 1967, Indian Music Publishing House, Madras
The Life of Music in North India: The Organization of an Artistic Tradition, Neuman, Daniel M., 1990, The University of Chicago Press, Chicago and London
The Music of Hindostan, Strangways, A. H. Fox, 1914 / ανατύπωση 1994, Clarendon Press/ ανατύπωση Munshiram Manoharlal Publishers Pvt Ltd., Oxford / ανατύπωση Delhi
The Pentatonic Scales of South Indian Music, Rowell, Lewis
The Persian Doctrine of Dastga-Composition, Gerson-Kiwi, E., 1963, Tel-Aviv
The Radif of Persian Music: Studies of Structure and Cultural Context, Nettl, B. (ed.), 1992, Elephant & Cat, Champaign
The Raga Guide, Bor, J. (ed.), 1999, Nimbus Records
The Ragas of North India, Kaufmann, W., 1968, Indiana University Press, Bloomington
The Ragas of Northern Indian Music, Danielou, Alain, 1980, Munshiram Manoharlal Publishers Pvt Ltd, New Delhi
The Rāgs of North Indian Music: Their Structure and Evolution, Jhairazbhoy, Nazir Ali, 1971 / rev. 1995, Wesleyan University Press / Popular Prakashan Pvt. Ltd., Middletown / Bombay
The Ritual Lament in Greek Tradition, Alexiou, Margaret, 1974, Cambridge University Press, Cambridge
The Sāraņgī: A History and the Contingency of style in an Accompanist tradition, Black, Lisa Cindy, [MA Thesis], 1987, University of Washington, Washington
«The Song beyond the Song: Aesthetics and Social Interaction in Greek Folksong», Caraveli–Chaves, Anna, Journal of American Folklore, 95, 1982
The Study of Ethnomusicology: Twenty–nine Issues and Concepts, Nettl, Bruno, 1983, University of Illinois Press, Urbana
The Tabla of Lucknow: A cultural analysis of a musical tradition, Kippen, James, 1988, Cambridge University Press, Cambridge
The wellsprings of music [ed. Jaap Kunst], Sachs, Curt, 1962, Martinus Nijholf, The Hague
«The ‘Yiftoi’ and the Music of Greece, Role and Function», Brandl, Rudolf, The World of Music, 38 (1), 1996, International Institute for Traditional Music
Thumri in Historical and Stylistic Perspective, Manuel, Peter, 1989, Motilal Banarsidass Publishers Pvt. Ltd., Delhi
Time in Indian Music: Rhythm, Meter and Form in North Indian Rag Performance, Clayton, Martin, 2000, Oxford University Press, New York
Time, Measure and Compositional Types in Indian Music: A Historical and Analytical Study of Tala, Chanda, and Nibaddha Musical Forms, Chaudhury, Subhadra, 1997, Aditya Prakashan, New Delhi
«Wajid Revisited: A Reassessment of Robert Gottlieb’s Tabla Study, and a New Transcription of the Solo of Wajid Hussain Khan of Lucknow» [επίσης: Robert Gottlieb, «A Response to James Kippen’s...», Kippen, James, Asian Music, Spring/Summer 2002, Vol. XXXIII, No.2., 2002