| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Sitār), Video by Sakis Laios Beginning of Alapa |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first section of the Ālāpa. | |
| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Mishra, Bolanāth), (Sitār, Tablā), Video by Sakis Laios Beginning of Nibaddha (rhythmic) section |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first part of the Nibaddha (rhythmic, accompanied by percussion) section. The composition starts on beat 12, and is characteristic of the Masīdkhanī style of compositions. | |
| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Mishra, Bolanāth), (Sitār, Tablā), Video by Sakis Laios End of Nibaddha (rhythmic) section |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the final part of the Nibaddha (rhythmic, accompanied by percussion) section, which ends with a Jhālā Tihāī. The composition (Gat) is characteristic of the Masīdkhanī style. | |
| Bahauddin Dagar playing Rāga Bhimpalashi on the Rudrā Vīņā, Dagar, Bahauddin, (Agle, Sanjay [Pakhāwaj]), (Rudrā Vīņā, Pakhāwaj, Taňburā), Video by Sakis Laios Noon concert - presentation of Rudrā Vīņā at the BHU. |
| This is the final section of a performance of Bahauddin Dagar playing Rudrā Vīņā. The performance (noon - afternoon Rāga Bhīmpalashī was performed) at the Pt. Omkarnath Thakur Auditorium, Faculty of Performing Arts, BHU, 13/02/2009. Bahauddin Dagar follows the Dhrupada-style of elaborating a Rāga, this is why he is accompanied by the Pakhāwaj and not by a Tablā. The Tāla (rhythmic cycle) is the 12-Mātrā (beat) Cautāla. | |
| Bahauddin Dagar playing Rudrā Vīņā, Dagar, Bahauddin, (Rudrā Vīņā), Photo by Sakis Laios |
| Bahauddin Dagar playing Rudrā Vīņā in a performance (noon - afternoon Raga Bhimpalashi was performed) at the Pt. Omkarnath Thakur Auditorium, Faculty of Performing Arts, BHU, 13/02/2009. | |
| Kishore Mishra playing tabla, Mishra, Kishore, (Tablā), Photo by Sakis Laios |
| Kishore Mishra, teacher of Tabla at the BHU, performing live in a concert in Assi Ghat, 24/01/2009. | |
| Sarasvatī statue dressed, Goddess Sarasvati, (Vīņā), Photo by Sakis Laios Located at the entrance of the Performing Arts Department, Banaras Hindu University |
| Statue of Goddess Sarasvatī, holding a Vīņā. Statue is located at the entrance of the Performing Arts Department, Banaras Hindu University, Varanasi, U.P., India. |
