| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Sitār), Video by Sakis Laios Beginning of Alapa |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first section of the Ālāpa. | |
| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Mishra, Bolanāth), (Sitār, Tablā), Video by Sakis Laios Beginning of Nibaddha (rhythmic) section |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first part of the Nibaddha (rhythmic, accompanied by percussion) section. The composition starts on beat 12, and is characteristic of the Masīdkhanī style of compositions. | |
| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Mishra, Bolanāth), (Sitār, Tablā), Video by Sakis Laios End of Nibaddha (rhythmic) section |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the final part of the Nibaddha (rhythmic, accompanied by percussion) section, which ends with a Jhālā Tihāī. The composition (Gat) is characteristic of the Masīdkhanī style. |
