| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Sitār), Video by Sakis Laios Beginning of Alapa |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first section of the Ālāpa. | |
| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Mishra, Bolanāth), (Sitār, Tablā), Video by Sakis Laios Beginning of Nibaddha (rhythmic) section |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first part of the Nibaddha (rhythmic, accompanied by percussion) section. The composition starts on beat 12, and is characteristic of the Masīdkhanī style of compositions. | |
| Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Mishra, Bolanāth), (Sitār, Tablā), Video by Sakis Laios End of Nibaddha (rhythmic) section |
| Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the final part of the Nibaddha (rhythmic, accompanied by percussion) section, which ends with a Jhālā Tihāī. The composition (Gat) is characteristic of the Masīdkhanī style. | |
| Annapurna Devi playing Raga Kaunsi Kanada on Surbahar, youtube |
| Recorded in the 1950's. | |
| Bahauddin Dagar playing Rāga Bhimpalashi on the Rudrā Vīņā, Dagar, Bahauddin, (Agle, Sanjay [Pakhāwaj]), (Rudrā Vīņā, Pakhāwaj, Taňburā), Video by Sakis Laios Noon concert - presentation of Rudrā Vīņā at the BHU. |
| This is the final section of a performance of Bahauddin Dagar playing Rudrā Vīņā. The performance (noon - afternoon Rāga Bhīmpalashī was performed) at the Pt. Omkarnath Thakur Auditorium, Faculty of Performing Arts, BHU, 13/02/2009. Bahauddin Dagar follows the Dhrupada-style of elaborating a Rāga, this is why he is accompanied by the Pakhāwaj and not by a Tablā. The Tāla (rhythmic cycle) is the 12-Mātrā (beat) Cautāla. | |
| Bismillah Khan singing Rāga Miyān ki Toďī, Khan, Bismillah, (Śehnāī, Tablā, Kadda), Youtube |
| Śehnāī-master Bismillah Khan singing a short Ālāpa on the famous Rāga Miyān ki Toďī, which is supposedly Miyān Tānsen's invention. | |
| Hariprasad Chaurasia (Bānsurī) playing Rāga Jog, Chaurasia, Hariprasad, (Khan, Sabir), (Bānsurī, Tablā, Taňburā), Youtube Composition in Matta Tāla |
| Bānsurī-master Pt. Hariprasad Chaurasia performing evening Rāga Jog, in the not-so-common Matta Tāla (9 beats). | |
| Kronos Quartet: Alap from Raga Mishra Bhairavi (by Ram Narayan), Kronos Quartet, (violin, viola, cello), Youtube |
| Mita Nag plays Raga Bhatiyar (morning Rāga) on Sitar, Mita Nag, (Sitar), youtube |
| N. Rajam (violin) playing Rāga Miyān ki Toďī, N. Rajam, (Ram Kumar Mishra), (Violin, Tabla), Youtube |
| Ram Kumar Mishra on Tabla | |
| Pandit. Ranadhir Roy and Pandit. Sanjay Mukherjee - Raga Jaijawanti, Ranadhir Roy, (Esraj), youtube |
| Pt. Bhimsen Joshi performing a Ţhumrī in Rāga Kāfī, Bhimsen Joshi(Pt.), (vocal) "Piya To Manat Nahi" |
| Pt. Bhimsen Joshi performing Rāga Bhairava, Bhimsen Joshi(Pt.), (vocal) |
| Pt. Bhimsen Joshi performing Rāga Bhairavī, Joshi, Bhimsen (Pt.), (vocal, Tablā, Sāraņgī, Harmonium, Taňburā), Vimeo |
| Ακούγεται και Sāraņgī, αλλά δεν φαίνεται ο εκτελεστής. | |
| Pt. Bhimsen Joshi singing Rāga Miyān ki Malhār, Bhimsen Joshi(Pt.), (vocal) |
| Pt. Bhimsen Joshi singing Rāga Śuddha Kalyāņa, Bhimsen Joshi(Pt.), (vocal) "Monder Bajyo" |
| Raga Hansdhwani on Jal tarang, Ragini Trivedi, (Jaltarang, Tabla), youtube |
| Rāgamāla of Raga Bhairava, internet |
| Rāgamāla of Raga Dipak |
| Rāgamāla of Raga Hindol |
| Rāgamāla of Raga Mālakaunśa |
| Ram Narayan (Sarangi) performing a Rāgāmāla on Raag Mishra Pilu, Narayan, Ram (Sāraņgī), (Suresh Talwalkar (tabla)), (Sāraņgī), Youtube |
| Ud. Amir Khan singing Rāga Śuddha Kalyāņa, Amir Khan (Ud.), (vocal) |
| Vidushi Smt. N Rajam - Raga Darbari, N. Rajam, (Ram Kumar Mishra), (Violin, Tabla), Youtube |
| Ram Kumar Mishra on Tabla |
